Выбрать книгу по жанру
Фантастика и фэнтези
- Боевая фантастика
- Героическая фантастика
- Городское фэнтези
- Готический роман
- Детективная фантастика
- Ироническая фантастика
- Ироническое фэнтези
- Историческое фэнтези
- Киберпанк
- Космическая фантастика
- Космоопера
- ЛитРПГ
- Мистика
- Научная фантастика
- Ненаучная фантастика
- Попаданцы
- Постапокалипсис
- Сказочная фантастика
- Социально-философская фантастика
- Стимпанк
- Технофэнтези
- Ужасы и мистика
- Фантастика: прочее
- Фэнтези
- Эпическая фантастика
- Юмористическая фантастика
- Юмористическое фэнтези
- Альтернативная история
Детективы и триллеры
- Боевики
- Дамский детективный роман
- Иронические детективы
- Исторические детективы
- Классические детективы
- Криминальные детективы
- Крутой детектив
- Маньяки
- Медицинский триллер
- Политические детективы
- Полицейские детективы
- Прочие Детективы
- Триллеры
- Шпионские детективы
Проза
- Афоризмы
- Военная проза
- Историческая проза
- Классическая проза
- Контркультура
- Магический реализм
- Новелла
- Повесть
- Проза прочее
- Рассказ
- Роман
- Русская классическая проза
- Семейный роман/Семейная сага
- Сентиментальная проза
- Советская классическая проза
- Современная проза
- Эпистолярная проза
- Эссе, очерк, этюд, набросок
- Феерия
Любовные романы
- Исторические любовные романы
- Короткие любовные романы
- Любовно-фантастические романы
- Остросюжетные любовные романы
- Порно
- Прочие любовные романы
- Слеш
- Современные любовные романы
- Эротика
- Фемслеш
Приключения
- Вестерны
- Исторические приключения
- Морские приключения
- Приключения про индейцев
- Природа и животные
- Прочие приключения
- Путешествия и география
Детские
- Детская образовательная литература
- Детская проза
- Детская фантастика
- Детские остросюжетные
- Детские приключения
- Детские стихи
- Детский фольклор
- Книга-игра
- Прочая детская литература
- Сказки
Поэзия и драматургия
- Басни
- Верлибры
- Визуальная поэзия
- В стихах
- Драматургия
- Лирика
- Палиндромы
- Песенная поэзия
- Поэзия
- Экспериментальная поэзия
- Эпическая поэзия
Старинная литература
- Античная литература
- Древневосточная литература
- Древнерусская литература
- Европейская старинная литература
- Мифы. Легенды. Эпос
- Прочая старинная литература
Научно-образовательная
- Альтернативная медицина
- Астрономия и космос
- Биология
- Биофизика
- Биохимия
- Ботаника
- Ветеринария
- Военная история
- Геология и география
- Государство и право
- Детская психология
- Зоология
- Иностранные языки
- История
- Культурология
- Литературоведение
- Математика
- Медицина
- Обществознание
- Органическая химия
- Педагогика
- Политика
- Прочая научная литература
- Психология
- Психотерапия и консультирование
- Религиоведение
- Рефераты
- Секс и семейная психология
- Технические науки
- Учебники
- Физика
- Физическая химия
- Философия
- Химия
- Шпаргалки
- Экология
- Юриспруденция
- Языкознание
- Аналитическая химия
Компьютеры и интернет
- Базы данных
- Интернет
- Компьютерное «железо»
- ОС и сети
- Программирование
- Программное обеспечение
- Прочая компьютерная литература
Справочная литература
Документальная литература
- Биографии и мемуары
- Военная документалистика
- Искусство и Дизайн
- Критика
- Научпоп
- Прочая документальная литература
- Публицистика
Религия и духовность
- Астрология
- Индуизм
- Православие
- Протестантизм
- Прочая религиозная литература
- Религия
- Самосовершенствование
- Христианство
- Эзотерика
- Язычество
- Хиромантия
Юмор
Дом и семья
- Домашние животные
- Здоровье и красота
- Кулинария
- Прочее домоводство
- Развлечения
- Сад и огород
- Сделай сам
- Спорт
- Хобби и ремесла
- Эротика и секс
Деловая литература
- Банковское дело
- Внешнеэкономическая деятельность
- Деловая литература
- Делопроизводство
- Корпоративная культура
- Личные финансы
- Малый бизнес
- Маркетинг, PR, реклама
- О бизнесе популярно
- Поиск работы, карьера
- Торговля
- Управление, подбор персонала
- Ценные бумаги, инвестиции
- Экономика
Жанр не определен
Техника
Прочее
Драматургия
Фольклор
Военное дело
The Big Four - Christie Agatha - Страница 32
"Quite so, quite so," said Poirot, in a preoccupied voice. "What about food? Could you take no precautions about that?"
"I'm always doing what I can. But, of course, sometimes Mrs. Templeton insists on bringing him his food herself, and then there are the times when I am off duty."
"Exactly. And you are not sure enough of your ground to go to the police?"
The nurse's face showed her horror at the mere idea.
"What I have done, M. Poirot, is this. Mr. Templeton had a very bad attack after partaking of a bowl of soup. I took a little from the bottom of the bowl afterwards, and have brought it up with me. I have been spared for the day to visit a sick mother, as Mr. Templeton was well enough to be left."
She drew out a little bottle of dark fluid and handed it to Poirot.
"Excellent, mademoiselle. We will have this analysed immediately. If you will return here in, say, an hour's time I think that we shall be able to dispose of your suspicions one way or another."
First extracting from our visitor her name and qualifications, he ushered her out. Then he wrote a note and sent it off together with the bottle of soup. Whilst we waited to hear the result, Poirot amused himself by verifying the nurse's credentials, somewhat to my surprise.
"No, no, my friend," he declared. "I do well to be careful. Do not forget the Big Four are on our track."
However, he soon elicited the information that a nurse of the name of Mabel Palmer was a member of the Lark Institute and had been sent to the case in question.
"So far, so good," he said, with a twinkle. "And now here comes Nurse Palmer back again, and here also is our analyst's report."
Both the nurse and I waited anxiously whilst Poirot read the analyst's report.
"Is there arsenic in it?" she asked breathlessly.
Poirot shook his head, refolding the paper.
"No."
We were both immeasurably surprised.
"There is no arsenic in it," continued Poirot. "But there is antimony. And that being the case, we will start immediately for Hertfordshire. Pray Heaven that we are not too late."
It was decided that the simplest plan was for Poirot to represent himself truly as a detective, but that the ostensible reason of his visit should be to question Mrs.
Templeton about a servant formerly in her employment whose name he obtained from Nurse Palmer, and who he could represent as being concerned in a jewel robbery.
It was late when we arrived at Elmstead, as the house was called. We had allowed Nurse Palmer to precede us by about twenty minutes, so that there should be no question of our all arriving together.
Mrs. Templeton, a tall dark woman, with sinuous movements and uneasy eyes, received us. I noticed that as Poirot announced his profession, she drew in her breath with a sudden hiss, as though badly startled, but she answered his question about the maid-servant readily enough. And then, to test her, Poirot embarked upon a long history of a poisoning case in which a guilty wife had figured. His eyes never left her face as he talked, and try as she would, she could hardly conceal her rising agitation. Suddenly, with an incoherent word of excuse, she hurried from the room.
We were not long left alone. A squarely-built man with a small red moustache and pince-nez came in.
"Dr. Treves," he introduced himself. "Mrs. Termpleton asked me to make her excuses to you. She's in a very bad state, you know. Nervous strain. Worry over her husband and all that. I've prescribed bed and bromide.
But she hopes you'll stay and take pot luck, and I'm to do host. We've heard of you down here, M. Poirot, and we mean to make the most of you. Ah, here's Micky!"
A shambling young man entered the room. He had a very round face, and foolish-looking eyebrows raised as though in perpetual surprise. He grinned awkwardly as he shook hands. This was clearly the "wanting" son.
Presently we all went in to dinner. Dr. Treves left the room-to open some wine, I think-and suddenly the boy's physiognomy underwent a startling change. He lent forward, staring at Poirot.
"You've come about father," he said, nodding his head. "/ know. I know lots of things-but nobody thinks I do. Mother will be glad when father's dead and she can marry Dr. Treves. She isn't my own mother, you know. I don't like her. She wants father to die."
It was all rather horrible. Luckily, before Poirot had time to reply, the doctor came back, and we had to carry on a forced conversation.
And then suddenly Poirot lay back in his chair with a hollow groan. His face was contorted with pain.
"My dear sir, what's the matter?" cried the doctor.
"A sudden spasm. I am used to them. No, no, I require no assistance from you, doctor. If I might lie down upstairs."
His request was instantly acceded to, and I accompanied him upstairs, where he collapsed on the bed, groaning heavily.
For the first minute or two I had been taken in, but I had quickly realised that Poirot was-as he would have put it-playing the comedy, and that his object was to be left alone upstairs near the patient's room.
Hence I was quite prepared when, the instant we were alone, he sprang up.
"Quick, Hastings, the window. There is ivy outside.
We can climb down before they begin to suspect."
"Climb down?"
"Yes, we must get out of this house at once. You saw him at dinner?"
"The doctor?"
"No, young Templeton. His trick with his bread. Do you remember what Flossie Monro told us before she died? That Claud Darrell had a habit of dabbing his bread on the table to pick up crumbs. Hastings, this is a vast plot, and that vacant-looking young man is our arch enemy-Number Four! Hurry."
I did not wait to argue. Incredible as the whole thing seemed, it was wiser not to delay. We scrambled down the ivy as quietly as we could and made a bee-line for the small town and the railway station. We were just able to catch the last train, the 8.34 which would land us in town about eleven o'clock.
"A plot," said Poirot thoughtfully. "How many of them were in it, I wonder? I suspect that the whole Templeton family are just so many agents of the Big Four. Did they simply want to decoy us down there? Or was it more subtle than that. Did they intend to play the comedy down there and keep me interested until they had had time to do-what? I wonder now."
He remained very thoughtful.
Arrived at our lodgings, he restrained me at the door of the sitting-room.
"Attention, Hasting. I have my suspicions. Let me enter first."
He did so, and, to my slight amusement, took the precaution to press on the electric switch with an old galosh. Then he went round the room like a strange cat, cautiously, delicately, on the alert for danger. I watched him for some time, remaining obediently where I had been put by the wall.
"It's all right, Poirot," I said impatiently.
"It seems so, mon ami, it seems so. But let us make |r sure."
"Rot," I said. "I shall light the fire, anyway, and have a pipe. I've caught you out for once. You had the matches last and you didn't put them back in the holder as usual-the very thing you're always cursing me for doing."
I stretched out my hand. I heard Poirot's warning cry-saw him leaping towards me-my hand touched the matchbox.
Then-a flash of blue flame-an ear-rending crash-and darkness-I came to myself to find the familiar face of our old friend Dr. Ridgeway bending over me. An expression of relief passed over his features.
"Keep still," he said soothingly. "You're all right.
There's been an accident, you know."
"Poirot?" I murmured.
"You're in my digs. Everything's quite all right."
A cold fear clutched at my heart. His evasion woke a horrible fear.
"Poirot9" I reiterated. "What of Poirot?"
He saw that I had to know and that further evasions were useless.
- Предыдущая
- 32/40
- Следующая