Выбрать книгу по жанру
Фантастика и фэнтези
- Боевая фантастика
- Героическая фантастика
- Городское фэнтези
- Готический роман
- Детективная фантастика
- Ироническая фантастика
- Ироническое фэнтези
- Историческое фэнтези
- Киберпанк
- Космическая фантастика
- Космоопера
- ЛитРПГ
- Мистика
- Научная фантастика
- Ненаучная фантастика
- Попаданцы
- Постапокалипсис
- Сказочная фантастика
- Социально-философская фантастика
- Стимпанк
- Технофэнтези
- Ужасы и мистика
- Фантастика: прочее
- Фэнтези
- Эпическая фантастика
- Юмористическая фантастика
- Юмористическое фэнтези
- Альтернативная история
Детективы и триллеры
- Боевики
- Дамский детективный роман
- Иронические детективы
- Исторические детективы
- Классические детективы
- Криминальные детективы
- Крутой детектив
- Маньяки
- Медицинский триллер
- Политические детективы
- Полицейские детективы
- Прочие Детективы
- Триллеры
- Шпионские детективы
Проза
- Афоризмы
- Военная проза
- Историческая проза
- Классическая проза
- Контркультура
- Магический реализм
- Новелла
- Повесть
- Проза прочее
- Рассказ
- Роман
- Русская классическая проза
- Семейный роман/Семейная сага
- Сентиментальная проза
- Советская классическая проза
- Современная проза
- Эпистолярная проза
- Эссе, очерк, этюд, набросок
- Феерия
Любовные романы
- Исторические любовные романы
- Короткие любовные романы
- Любовно-фантастические романы
- Остросюжетные любовные романы
- Порно
- Прочие любовные романы
- Слеш
- Современные любовные романы
- Эротика
- Фемслеш
Приключения
- Вестерны
- Исторические приключения
- Морские приключения
- Приключения про индейцев
- Природа и животные
- Прочие приключения
- Путешествия и география
Детские
- Детская образовательная литература
- Детская проза
- Детская фантастика
- Детские остросюжетные
- Детские приключения
- Детские стихи
- Детский фольклор
- Книга-игра
- Прочая детская литература
- Сказки
Поэзия и драматургия
- Басни
- Верлибры
- Визуальная поэзия
- В стихах
- Драматургия
- Лирика
- Палиндромы
- Песенная поэзия
- Поэзия
- Экспериментальная поэзия
- Эпическая поэзия
Старинная литература
- Античная литература
- Древневосточная литература
- Древнерусская литература
- Европейская старинная литература
- Мифы. Легенды. Эпос
- Прочая старинная литература
Научно-образовательная
- Альтернативная медицина
- Астрономия и космос
- Биология
- Биофизика
- Биохимия
- Ботаника
- Ветеринария
- Военная история
- Геология и география
- Государство и право
- Детская психология
- Зоология
- Иностранные языки
- История
- Культурология
- Литературоведение
- Математика
- Медицина
- Обществознание
- Органическая химия
- Педагогика
- Политика
- Прочая научная литература
- Психология
- Психотерапия и консультирование
- Религиоведение
- Рефераты
- Секс и семейная психология
- Технические науки
- Учебники
- Физика
- Физическая химия
- Философия
- Химия
- Шпаргалки
- Экология
- Юриспруденция
- Языкознание
- Аналитическая химия
Компьютеры и интернет
- Базы данных
- Интернет
- Компьютерное «железо»
- ОС и сети
- Программирование
- Программное обеспечение
- Прочая компьютерная литература
Справочная литература
Документальная литература
- Биографии и мемуары
- Военная документалистика
- Искусство и Дизайн
- Критика
- Научпоп
- Прочая документальная литература
- Публицистика
Религия и духовность
- Астрология
- Индуизм
- Православие
- Протестантизм
- Прочая религиозная литература
- Религия
- Самосовершенствование
- Христианство
- Эзотерика
- Язычество
- Хиромантия
Юмор
Дом и семья
- Домашние животные
- Здоровье и красота
- Кулинария
- Прочее домоводство
- Развлечения
- Сад и огород
- Сделай сам
- Спорт
- Хобби и ремесла
- Эротика и секс
Деловая литература
- Банковское дело
- Внешнеэкономическая деятельность
- Деловая литература
- Делопроизводство
- Корпоративная культура
- Личные финансы
- Малый бизнес
- Маркетинг, PR, реклама
- О бизнесе популярно
- Поиск работы, карьера
- Торговля
- Управление, подбор персонала
- Ценные бумаги, инвестиции
- Экономика
Жанр не определен
Техника
Прочее
Драматургия
Фольклор
Военное дело
On the Other Hand, Death - Stevenson Richard - Страница 1
ON THE OTHER HAND, DEATH
A Donald Strachey Murder Mystery
RICHARD STEVENSON
St. Martin's Press New York
This book is fiction. All of the characters are made up. Any resemblance to real public officials or private citizens in Albany, New York, or elsewhere, is coincidental.
on the other hand, death. Copyright © 1984 by Richard Stevenson. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address St. Martin's Press, 175 Fifth Avenue, New York, N.Y. 10010.
ISBN 0-312-11871-6
First published in the United States by St. Martin's Press
First Paperback Edition: March 1995 10 9 8 7 6 5 4 3 2 1
For Andy, Madilyn, Sally, Jack, Jim, John, Bob and Don: Tenastelign and for Barbara Joslyn
On the Other Hand, Death
1
Trefusis was going on about a case of
"Mandelstam" or "Handelschism," which made no sense.
"Hang on a minute," I yelled into the mouthpiece. "I can't make out what you're saying."
"I'll hold, of course, Mr. Strachey."
I set the sweat-slick receiver on my desk, reached around, and whacked the top of the clanking and gurgling air conditioner with a slat from the wooden swivel chair that had collapsed back in January. The only effect was a slight shift by the machine in its rotten moorings. The 200 pound Airtemp now threatened to plummet out the window onto Central Avenue two stories below, crushing the shins of the winos who lounged in my entryway. I reached down and yanked out the plug. A distant thunk was followed by a diminishing whine, a sputtering sound, and then hot wet silence.
"Sorry," I said into the phone again, "but I couldn't hear you over the racket my pilot was making up on the helipad. You were saying ..."
"What I've got for you," Crane Trefusis went on, holding no interest in self-deprecating humor, "is a case of vandalism. Now before you tune out, Mr. Strachey, I'd like you to hear my pitch, because, believe me, this is not your usual run-of-the-mill type of vandalism. It will interest you. I don't want to go into it over the phone, so I'd
appreciate your stopping by the office, if you don't mind, where I can lay it all out for you." A little pause. "Under certain conditions our fee could go as high as ten."
Ten. Ten hundred? No, Trefusis would call that a thousand. Or "one."
I hedged anyway. "I've never handled a case of vandalism," I told him. "But with the scale your outfit operates on, I'd expect you to use the term to describe the firebombing of Dresden. Are you sure you wouldn't be better off using an agency with more resources than I've got? Helicopter jokes aside, Mr. Trefusis, I'm just me and a couple of friends who help me out once in a while whenever they haven't got something better to do, like reading Proust in Tagalog or sponsoring disco benefits for the Eritrean Liberation Front. You might want to shop around."
Trefusis was unfazed by either false modesty or fact. "I'm told you're a very solid type," he said, "and the word that comes back to me is that you are definitely the man for this job, Mr. Strachey. I feel strongly that this situation is rather . . . well, special. And when you hear about it I'm confident you'll agree. Can you drop by around four? I can fit you in then."
I hesitated. I'd never met Trefusis, but I'd read a lot in the Times Union about both him and his company, and I wasn't overwhelmed with warmth for either. The origins of Millpond Plaza's capital were reported to be murky and its operating methods, under Trefusis, harsh. I was curious, though, about what made a vandalism case "special" for me, and of course there was the "ten." On the one hand this, on the other hand that.
I said, "I doubt that this is a job for me, Mr. Trefusis, but I'll drive out there and you can fill me in. I'm not promising that I'll want to handle it, though. Just so you understand that."
"That's a fair enough arrangement, Mr. Strachey. I'll look forward to seeing you at four."
Arrangement? What arrangement?
I phoned Timmy at his office and said, "It's hot."
"Say, look, I've got important business to transact for the people of the State of New York. If you want to report heat, call the weather bureau. Is this a crank call?"
"I'm cranky and this is a call, so describe it however you want. Anyway, this is a semi-official crank call. What do you know about Crane Trefusis? Anything good?"
"No."
"Bad, then."
"When the Millpond company wants to build a shopping mall, it gets built. Cows, chickens, ducks, geese, grass, people—they'd all better scurry. Millpond is slick, fast, fat, and vicious. Crane Trefusis is their point man. He makes it happen. Something's holding him up on the new project Millpond's planning for west Albany, but I'd guess not for long."
"I've read all that in the papers. Any problems with the law?"
"Probably, but not with the people who enforce the law. Millpond makes friends, one way or another, in the places where friends count. Why are you asking me these easy questions?"
"Trefusis has a job for me, he says. A case of vandalism."
"To solve it or initiate it?"
"I'll find out in a couple of hours when I meet him. I doubt whether we'll find a way to do business, so it shouldn't take long. See you at the apartment around six?"
"Sure. Or six-thirty. Oh—seven, better make it seven. Yeah, seven or so."
What was this? "Or how about eight? Or nine? Or eleven-thirty-five? Aren't you going to the center to meet
Fenton McWhirter? The reception's at seven. What's up?"
"Guess who's in Albany that I'm having a drink with?"
"Happy Rockefeller." "Uhn-uhn."
"Averell Harriman?"
"Not even close." I could tell he was grinning. "It's Boyd. Boyd's in town."
So. "Oh-ho! Boyd-boy. The return of the native."
"Yep."
"He just called you up and said let's have a drink? Just like that? No intermediaries making preliminary inquiries to find out if you carried a pistol?"
"Ten years is a long time, Don. Wounds heal. He said he was a little worried that I might hang up on him. But he took a chance, and he was right. I felt nothing. It might as well have been my Uncle Fergus calling."
"Yeah, well, my regards to Aunt Nell. And to Boyd-boy, even though I've never had the pleasure. So I'll see you later—where? Up the avenue?"
"No, no, I'll meet you at the center for the McWhirter thing. I mean, for chrissakes, Don, we're just having a drink."
He said drink as if I had moronically failed to understand that the word really stood for bran muffin. I said, "I'm just giving you a hard time because my brain is melting like frogurt in this heat. In fact, I wish you and Boyd a moderately happy reunion. See you later, lover."
"Moderately happy sounds about right, with the emphasis on the first part. See you at the center. Watch your step with Crane Trefusis, unless you're planning on getting heavily into S and M."
"No chance. You can take the boy out of the presbytery, but you can't take the Presbyterian out of the boy. You'd know about that."
He laughed and hung up.
So. Boyd-boy was back. So? So nothing. Maybe. On the one hand this, on the other hand that.
- 1/48
- Следующая