The Bricklayer - Boyd Noah - Страница 2

“How are we going to get out of here?” Stillson yelled over the counter.

“One thing at a time,” Ronson shot back, and continued stuffing the bag with money.

“How can you think about the money?”

“Because if we get out of here, we’re going to need every dime of it.” After zipping up the bag, Ronson threw it ahead of him and vaulted back over the counter. He yanked an elderly woman to her feet.

“No, no, please don’t!”

“Shut up, you old broad. You’ve already lived long enough.” He pushed her toward the front door, and as they disappeared around a wall that separated the door’s alcove from the rest of the bank, he yelled back to Stillson, “Just keep everybody covered.”

Stillson couldn’t deny that he liked the control he had over everyone during the robberies. And for some reason, with the cops outside, that feeling was even more intense. To demonstrate his willingness to fully execute his partner’s orders, he backed up a couple of steps and slowly swung his gun from side to side. That was when he noticed a man lying next to a watercooler. His gold-colored Carhartt work pants as well as his boots were covered with concrete dust. His faded black T-shirt clung to his thick shoulders and arms. He was the only one with his head raised, and he seemed to be watching the gunman with a mixture of curiosity and insolence.

The one-eared bank robber didn’t know it, but the man had been tracking and analyzing his movements, measuring his agility, the length of his stride, his reaction time. He judged Stillson as a man who had not built a career on physical prowess or intimidation. His only authority seemed to be the gun in his hand, which he was holding too tightly.

As the man continued to stare at Stillson, he admonished himself: You don’t carry a gun anymore, stupid. Next time, you use the drive-through.

“What’re you looking at?” Stillson demanded.

The man’s mouth went crooked with a sneer as he silently mouthed words, causing Stillson to think he was having trouble hearing. He reached up and checked the rubber ear to make sure it wasn’t blocking the auditory canal. When he found it in place, he realized that the man had figured out it was fake and was taunting him. “Think that’s funny?”

The man spoke a little too loudly now. “I said, I’m watching you so I’ll get it right at the lineup.”

Stillson took two quick steps toward him, thrusting the black automatic forward, being careful not to get too close. “Are you nuts? You some sort of tough-guy construction worker? Is that it?”

“Bricklayer.”

“What?”

“I’m a brick mason,” the man said.

Stillson took another half step, raising the gun to eye level. “Well, meat, you’re about to undergo a career change. You can be either a floor kisser or a brain donor. Your call.”

The bricklayer slowly lowered his head.

Next time, meat, definitely the drive-through.

Shielded by the woman hostage, Ronson opened the front door enough to expose her and yelled a demand for the cops to leave and, even though he couldn’t see any, to clear out the snipers. Almost before he finished speaking, a loudspeaker ordered him to surrender. Ronson cocked his gun and pressed it against the side of the woman’s head. “You’ve got five minutes, and then I’m going to begin shooting people, starting with this old goat. Understand?”

Stillson couldn’t hear exactly what was being said and took a couple of steps back, trying to get a more advantageous angle to see and hear. Then he heard something he couldn’t immediately identify—a couple of deep liquid glugs.

The watercooler!

He swung his gun back toward the bricklayer, who was up off the floor and coming at him, just a couple of steps away. In front of him, he held the almost-full five-gallon water bottle sideways, pressed tightly between his hands to keep the water from escaping.

Stillson fired.

The bottle exploded, absorbing the impact of the bullet. It was all the time the man needed to close the distance between himself and the robber. In a blur, he stepped sideways, minimizing himself as a target, and grabbed the barrel of the gun, twisting it outward in a move that seemed practiced. With Stillson’s wrist bent back to its limit and his finger being dislocated inside the trigger guard, the gun was easily ripped out of his hand. As the robber started flailing, the man used the weapon to strike him once in the temple cleanly, dazing him.

Then the bricklayer grabbed him and with relative ease hurled him through one of the bank’s full-length windows. Amid a shower of glass, Stillson skidded across the concrete and lay unconscious. Fluttering in the air and then landing on top of him was the rubber ear.

The bricklayer ran to the wall that separated the front door from the rest of the bank’s interior and flattened himself against it. The woman hostage was pushed around the corner of the alcove, followed by Ronson, who was screaming at Stillson, demanding to know what he was shooting at. The mason’s hand flashed forward, and the muzzle of the gun he had taken from Stillson was pressed against Ronson’s throat.

Ronson hesitated, and the man said, “Do me a favor—try it…. Do everyone a favor.” Ronson recognized the seething tone; he had heard it many times in prison; this man was willing to kill him. Ronson dropped his gun. As the man bent down to pick it up, the bank robber started to run toward the opening left by the shattered window, but the bricklayer caught him. Ronson swung and caught him full on the jaw, but it didn’t seem to have any effect. The mason countered with a straight right to the middle of the robber’s face, snapping his head back violently and buckling his knees. The bricklayer grabbed him, turned, and launched him through the adjoining window, shattering it as well.

Outside, one of the reporters yelled to his cameraman, “Did you get it? Both of them?”

“Oh, yeah. Every beautiful bounce.”

Suddenly the front door flew open and the hostages came streaming out, running past the police line and into the safety of the crowd. While one group of officers ran up to search and handcuff the two gunmen, a SWAT team rushed into the bank, leapfrogging tactically to secure the building and ensure there were no more robbers. It was empty.

With the aid of a couple of bullhorns, the police rounded up the hostages and herded them back inside. Each told the same story: that the man in the gold-colored Carhartts and black shirt was the one who had disarmed both robbers. When the detectives asked the witnesses to point him out, they were astonished to find that the bricklayer had vanished.

ONE

AS CONNIE LYSANDER TOOK THE TOWEL FROM AROUND HER, SHE looked at her body’s reflection in the full-length mirror and ordered herself to be objective, really objective. She held herself erect and, turning a few degrees in each direction, tightened her stomach muscles. It was no use, she decided; her once-taut figure had lost its sleekness. Fifteen years earlier she had been a reporter on Beneath Hollywood, a local television show that scraped together questionable bits and pieces of the “real” story behind the bountiful missteps of the crowned princes and princesses of the movie industry. The three years the show aired, it had better-than-average ratings. She knew her popularity had been due largely to her figure and the way she dressed. She had worked little since the show was canceled. When her auditions for more mainstream news shows would fail, her manager blamed it on her being “typecast” as a tabloid reporter. In the interim years, she floated in and out of various jobs, eventually marrying. When that ended two years earlier, she vowed to get back into media any way she could.

She stepped over and opened the door leading out onto the lanai. One of the things she loved about Los Angeles was the weather—maybe it was the thing she loved most of all. Its warm, arid consistency was reassuring for her, something she could count on, unlike while she was growing up in the damp, aching loneliness of Seattle’s Puget Sound. It was a daily reminder that life was just better here. Even the Southern California architecture reflected the climate. Family rooms, kitchens, even bathrooms, featured doors that opened directly to the outside, bringing the outdoors in.