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Фантастика и фэнтези
- Боевая фантастика
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- Фантастика: прочее
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Приключения
- Вестерны
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Жанр не определен
Техника
Прочее
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Фольклор
Военное дело
Julia Ward Howe - Richards Laura E. - Страница 43
And again: "I determine that I can only be good in fulfilling my highest function—all else implies waste of power, leading to demoralization."
She declined the invitation, "feeling unable to decide in favor of accepting it."
"But I was sorry," she says, "and I remembered the words: 'He that hath put his hand to the plough and looketh back is not fit for the kingdom of heaven.' God keep me from so looking back!"
The Journal of this spring is largely devoted to philosophic speculations and commentaries on Kant, whose theories she finds more and more luminous and convincing; now and then comes a note of her own:—
"'I am God!' says the fool. 'I see God!' says the wise man. For while you are your own supreme, you are your own God, and self-worship is true atheism."
"It is better to use a bad man by his better side than a good man by his worse side."
"Christ said that he was older than Abraham. I think that he used this expression as a measure of value. His thoughts were further back in the primal Ideal necessity. He did not speak of any personal life antedating his own existence.... In his own sense, Christ was also newer than we are, for his doctrine is still beyond the attainment of all and the appreciation of most of us."
"There is no essential religious element in negation."
"Saw Booth in 'Hamlet'—still first-rate, I think, although he has played it one hundred nights in New York. 'Hamlet' is an ?sthetic Evangel. I know of no direct ethical work which contains such powerful moral illustration and instruction."
"James Freeman [Clarke] does not think much of Sam's book, probably not as well as it deserves. But the knowledge of Sam's personality is the light behind the transparency in all that he does."[52]
These were the closing months of the Civil War. All hearts were lifted up in thankfulness that the end was near. She speaks of it seldom, but her few words are significant.
"Monday, April 3.... Richmond was taken this morning. Laus Deo!"
On April 10, after "Maud's boots, $3.00, Vegetables, .12, Bread, .04," we read, "Ribbons for victory, .40. To-day we have the news of Lee's surrender with the whole remnant of his army. The city is alive with people. All flags hung out—shop windows decorated—processions in the street. All friends meet and shake hands. On the newspaper bulletins such placards as 'Gloria in excelsis Deo,' 'Thanks be to God!' We all call it the greatest day of our lives.
"Apples, half-peck, .50."
That week was one of joy and thankfulness for all. Thursday was Fast Day; she "went to church to fatigue Satan. Afterwards made a visit to Mrs. —— who did not seem to have tired her devil out."
The joy bells were soon to be silenced. Saturday, April 15, was
"A black day in history, though outwardly most fair. President Lincoln was assassinated in his box at the theatre, last evening, by J. Wilkes Booth. This atrocious act, which was consummated in a very theatrical manner, is enough to ruin not the Booth family alone, but the theatrical profession. Since my Sammy's death, nothing has happened that has given me so much personal pain as this event. The city is paralyzed. But we can only work on, and trust in God."
Our father's face of tragedy, the anguish in his voice, as he called us down to hear the news, come vividly before us to-day, one of the clearest impressions of our youth. Our mother went with him next day to hear Governor Andrew's official announcement of the murder to the Legislature, and heard with deep emotion his quotation from "Macbeth":—
"Besides, this Duncan
Hath borne his faculties so meek, hath been
So clear in his great office, that his virtues
Will plead like angels, trumpet-tongued, against
The deep damnation of his taking-off," etc.
Wednesday, April 19, was:—
"The day of President Lincoln's funeral. A sad, disconnected day. I could not work, but strolled around to see the houses, variously draped in black and white. Went to Bartol's church, not knowing of a service at our own. Bartol's remarks were tender and pathetic. I was pleased to have heard them.
"Wrote some verses about the President—pretty good, perhaps,—scratching the last nearly in the dark, just before bedtime."
This is the poem called "Parricide." It begins:—
O'er the warrior gauntlet grim
Late the silken glove we drew.
Bade the watch-fires slacken dim
In the dawn's auspicious hue.
Staid the armed heel;
Still the clanging steel;
Joys unwonted thrilled the silence through.
On April 27 she "heard of Wilkes Booth's death—shot on refusing to give himself up—the best thing that could have happened to himself and his family"; and wrote a second poem entitled "Pardon," embodying her second and permanent thought on the subject:
Pains the sharp sentence the heart in whose wrath it was uttered,
Now thou art cold;
Vengeance, the headlong, and Justice, with purpose close muttered,
Loosen their hold, etc.
Brief entries note the closing events of the war.
"May 13. Worked much on Essay.... In the evening said to Laura: 'Jeff Davis will be taken to-morrow.' Was so strongly impressed with the thought that I wanted to say it to Chev, but thought it was too silly."
"May 14. The first thing I heard in the morning was the news of the capture of Jeff Davis. This made me think of my preluding the night before...."
Other things beside essays demanded work in these days. The great struggle was now over, and with it the long strain on heart and nerve, culminating in the tragic emotion of the past weeks. The inevitable reaction set in. Her whole nature cried out for play, and play meant work.
"Working all day for the Girls' Party, to-morrow evening. Got only a very short reading of Kant, and of Tyndall. Tea with the Bartols. Talk with [E. P.] Whipple, who furiously attacked Tacitus. Bartol and I, who know a good deal more about him, made a strong fight in his behalf."
"Working all day for the Party. The lists of men and women accepting and declining were balanced by my daughter F. with amusing anxiety.... The two sexes are now neck and neck. Dear little Maud was in high glee over every male acceptance. Out of all this hubbub got a precious forty-five minutes with Kant...."
The party proved "very gay and pleasant."
Now came a more important event: the Musical Festival celebrating the close of the war, which was given by the Handel and Haydn Society, at its semi-centennial, in May, 1865. Our mother sang alto in the chorus. The Journal records daily, sometimes semi-daily, rehearsals and performances, Kant squeezed to the wall, and getting with difficulty his daily hour or half-hour. Mendelssohn's "Hymn of Praise" and "Elijah"; Haydn's "Creation," Handel's "Messiah" and "Israel in Egypt"; she sang in them all.
Here is a sample Festival day:—
"Attended morning rehearsal, afternoon concert, and sang in the evening. We gave 'Israel in Egypt' and Mendelssohn's 'Hymn of Praise.' I got a short reading of Kant, which helped me through the day. But so much music is more than human nerves can respond to with pleasure. This confirms my belief in the limited power of our sensibilities in the direction of pure enjoyment. The singing in the choruses fatigues me less than hearing so many things."
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