My First Book - Jerome Jerome Klapka - Страница 16

My pride was wounded, my vanity was hurt, I was put upon my mettle. I registered a silent vow there and then that some day I would have a noble revenge on my friendly detractor, and make him confess that he was wrong when he said that it was a pity I scribbled.

From that hour I set myself steadily to be an author. I wrote poetry by the mile, prose by the acre, and I sent it to every kind of periodical that I could find in the 'Post Office Directory.'

I had to pass through years of rejection, but still I wrote on, and still I spent all my pocket-money on books, and postage-stamps, and paper.

And at last the chance came. I was allowed to write paragraphs in the Weekly Dispatch by a friend who was a real journalist, and had a column at his disposal to fill with gossip.

After doing the work for a month for nothing, I had the whole column given to me, and one day I received my first guinea earned by scribbling.

I was a proud man when I went out of the Dispatch office that day with a sovereign and a shilling in my hand. I had forced the gates of the citadel at last. I had marched in with the honours of war, and I was marching out with the price of victory in my hand.

Soon afterwards there came another chance. The editor of the Dispatch wanted a series of short complete stories. I asked to be allowed to try if I could do them. Under the title of 'The Social Kaleidoscope,' I wrote a series of short stories or sketches, and from that day no week has passed that I have not contributed something to the columns of a weekly journal.

When the sketches were complete, the publisher of the Dispatch offered to bring them out in book form for me and publish them in the office.

'The Social Kaleidoscope' was my first book, and that is how it came into the world.

Years afterwards, my chance came with the dear old fellow who had said that it was a pity I scribbled so. Fortune had smiled upon me in one way then, and I was earning an excellent income with my pen. But my health had broken down, and it was thought necessary that I should place myself in the hands of a celebrated surgeon. I had not seen my old doctor for some years, but my people wished that he should be consulted, because he had known me so well in the days of my youth.

So I submitted, and he came, and he shook his head and agreed that so-and-so was the man to take me in hand.

'I think he'll cure you, my dear fellow,' said the doctor; 'he's the most skilful surgeon we have for cases like yours, but his fee is a heavy one. Still, you can afford it.'

'Yes, doctor,' I replied, 'thanks to my scribbling, I can.'

That was the hour of my triumph. I had waited for it for fifteen years, but it had come at last.

The dear old boy gripped my hand. 'I was wrong,' he said, with a quiet smile, 'and I confess it; but we'll get you well, and you shall scribble for many a year to come.'

And I am scribbling still.

'DEPARTMENTAL DITTIES'

By Rudyard Kipling

AS there is only one man in charge of a steamer, so there is but one man in charge of a newspaper, and he is the editor. My chief taught me this on an Indian journal, and he further explained that an order was an order, to be obeyed at a run, not a walk, and that any notion or notions as to the fitness or unfitness of any particular kind of work for the young had better be held over till the last page was locked up to press. He was breaking me into harness, and I owe him a deep debt of gratitude, which I did not discharge at the time. The path of virtue was very steep, whereas the writing of verses allowed a certain play to the mind, and, unlike the filling in of reading matter, could be done as the spirit served. Now, a sub-editor is not hired to write verses: he is paid to sub-edit. At the time, this discovery shocked me greatly; but, some years later, when I came to be a sort of an editor in charge, Providence dealt me for my subordinate one saturated with Elia. He wrote very pretty, Lamblike essays, but he wrote them when he should have been sub-editing. Then I saw a little of what my chief must have suffered on my account. There is a moral here for the ambitious and aspiring who are oppressed by their superiors.

This is a digression, as all my verses were digressions from office work. They came without invitation, unmanneredly, in the nature of things; but they had to come, and the writing out of them kept me healthy and amused. To the best of my remembrance, no one then discovered their grievous cynicism, or their pessimistic tendency, and I was far too busy, and too happy, to take thought about these things.

So they arrived merrily, being born out of the life about me, and they were very bad indeed, and the joy of doing them was payment a thousand times their worth. Some, of course, came and ran away again, and the dear sorrow of going in search of these (out of office hours, and catching them) was almost better than writing them clear. Bad as they were, I burned twice as many as were published, and of the survivors at least two-thirds were cut down at the last moment. Nothing can be wholly beautiful that is not useful, and therefore my verses were made to ease off the perpetual strife between the manager extending his advertisements and my chief fighting for his reading-matter. They were born to be sacrificed. Rukn-Din, the foreman of our side, approved of them immensely, for he was a Muslim of culture. He would say: 'Your potery very good, sir; just coming proper length to-day. You giving more soon? One-third column just proper. Always can take on third page.'

Mahmoud, who set them up, had an unpleasant way of referring to a new lyric as 'Ek aur chiz'—one more thing—which I never liked. The job side, too, were unsympathetic, because I used to raid into their type for private proofs with old English and Gothic headlines. Even a Hindoo does not like to find the serifs of his f's cut away to make long s's.

And in this manner, week by week, my verses came to be printed in the paper. I was in very good company, for there is always an undercurrent of song, a little bitter for the most part, running through the Indian papers. The bulk of it is much better than mine, being more graceful, and is done by those less than Sir Alfred Lyall—to whom I would apologise for mentioning his name in this gallery—'Pekin,' 'Latakia,' 'Cigarette,' 'O.,' 'T. W.,' 'Foresight,' and others, whose names come up with the stars out of the Indian Ocean going eastward.

Sometimes a man in Bangalore would be moved to song, and a man on the Bombay side would answer him, and a man in Bengal would echo back, till at last we would all be crowing together like cocks before daybreak, when it is too dark to see your fellow. And, occasionally, some unhappy Chaaszee, away in the China Ports, would lift up his voice among the tea-chests, and the queer-smelling yellow papers of the Far East brought us his sorrows. The newspaper files showed that, forty years ago, the men sang of just the same subjects as we did—of heat, loneliness, love, lack of promotion, poverty, sport, and war. Further back still, at the end of the eighteenth century, Hickey's Bengal Gazette, a very wicked little sheet in Calcutta, published the songs of the young factors, ensigns, and writers to the East India Company. They, too, wrote of the same things, but in those days men were strong enough to buy a bullock's heart for dinner, cook it with their own hands because they could not afford a servant, and make a rhymed jest of all the squalor and poverty. Lives were not worth two monsoons' purchase, and perhaps the knowledge of this a little coloured the rhymes when they sang: