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Men of Men - Smith Wilbur - Страница 111
"Ningi keeps the diamonds under her sleeping place, Vicky informed Mungo.
"Who is Ningi?"
"The king's sister, and she is almost as fat as King Ben is."
Ningi would be the most trusted of all Lobengula's people, and her hut in the sanctuary of the forbidden women's quarters was the most secure in all Matabeleland.
"I believe you now. You are clever girls, both of you," Mungo told them, and they glowed with pleasure. There was nothing he could not ask of them.
"Vicky, I need some paint. It's for a secret thing, I will tell you about it later, if you can get the paint for me."
"What colour?" Lizzie cut in. "I'll get it for you."
"Red, white and yellow."
In the end Lizzie stood guard while Vicky raided Cathy's paintbox, and they delivered their offering to Mungo and basked in his extravagant praise.
In his planning, it was not enough merely to get the diamonds into his hands; even more vital was to escape the consequences. No man or woman could hope to reach the frontier without the king's permission; it was hundreds of miles of wild country patrolled by the border impis.
He could not grab and run. He had to use guile and perhaps turn the Matabele dread of darkness and witchcraft to his own advantage.
So he planned with meticulous concentration" and waited for the right moment with the patience of the stalking leopard, for he knew that this was his last attempt. If he failed this time, then not even his white skin nor his status as a guest of the king could save him.
If he failed, the Black Ones would wield their knobkerries, crushing in his skull, and his corpse would be flung from the cliffs to the waiting vultures or into the flooded river pools where the crocodiles would rip it into chunks with their spiky yellow saurian teeth. Louise would suffer the same fate, he knew, but it was a chance he was prepared to take.
He was careful to conceal his preparations from her and this was made easier by the distance that she had for long now been maintaining between them. Though they shared the thatched hut that Lobengula's men had built for them in the grove beyond the royal kraal, and though they ate the same meals of beef and sour milk and stone-ground maize cakes that the king sent down to them each evening, Louise spent her days alone, riding out on one of the mules in the early morning and not returning until dusk. Her mattress of straw in the farthest recesses of the hut she had screened with the tattered canvas sunshade from the cart, and he only once tried to pass the screen.
"Not again," she hissed at him. "Never again!" And she showed him the knife that she kept under her skirts.
So he was able to work uninterrupted, during the day, and to hide his equipment under his own mattress each evening. He carved the mask from the naturally curved portion of a hollow tree trunk, a hideous grimacing apelike visage with staring eyes and a gaping mouth full of white fangs, and he painted it with the colours from Cathy's paintbox.
From the plumed ostrich skin he tailored a cloak that reached from neck to ankles, and for his feet and hands he made grotesque mittens of black goatskin. In full costume he was enough to paralyse even the bravest warrior with supernatural terror. He was the very embodiment of the Tokoloshe of Matabele mythology.
Robyn Codrington had given him repeated doses of laudanum for the persisting pain in his leg, but he had saved these for the occasion. He had decided on one of the Matabele festivals, and he waited until the third night when every man and woman of the entire nation, surfeited with beer and thtee days and nights of wild dancing, had fallen asleep where they fell.
At nightfall he gave the laudanurn to Louise in a cup of soured milk, and the tart flavour concealed the musky taste of the drug. An hour after dark he crept across the hut, drew aside the screen and listened to her even breathing for a minute before leaning over her and slapping her cheeks lightly. She did not move nor murmur, and the rhythm of her breathing did not alter.
He dressed swiftly in the feather cloak, not yet donning the mask and mittens, but blackening his face and limbs with a mixture of crushed charcoal and fat. Then with the mask and a length of rope under one arm and a heavy assegai in the other hand, he crept out of the hut.
The grove was deserted, no Matabele would venture here when the spirits were abroad, so he hurried through it, and from the treeline surveyed the stockade of the royal kraal.
There was a sliver of the old moon rising, and it gave just enough light for him to pick his way, but not enough to betray him to watchful eyes. There would be few eyes open on this night. Even so he crouched low as he crossed the open ground; the cloak made a shaggy hyena shape that would excite no real interest.
At the outer stockade he paused to look and listen, then flicked the length of manila rope over the barrier of sharpened poles.
He climbed up carefully, favouring his bad leg, and peered into the kraal.
It was deserted, but a low watch-fire burned infront of the barred gateway.
Mungo slid down the rope and he crossed quickly to the shadows of the nearest hut, and there paused to pull on his mittens and settle the cumbersome mask over his head before creeping on again towards the inner stockade that guarded the women's quarters.
In the preceding weeks, using his brass telescope from the vantage point of the nearest hilltop, he had been able to see over the walls and to study the layout of the wives" quarters.
There was a double circle of huts, like the concentric rings of a target, but at the centre, the bull's-eye, was a larger hut with intricate patterns of thatch and lacing proclaiming its greater importance. His guess that this was the king's sister's residence had been confirmed when he had seen, through the telescope, Ningi's elephantine gleaming naked body, escorted by a dozen hand-maidens, emerging into the early sunlight from the low doorway.
Now he reached the gateway in the inner stockade, and studied it from around the sheltering wall of the nearest hut. Again his luck held. He had been prepared to use the assegai here, but both the guards were stretched out, wrapped in their furs, and neither of them moved as Mungo stepped over their prostrate bodies.
From inside one hut he heard the low regular snores of one fat wife, and in another a woman coughed and muttered in her sleep, but though his nerves jumped, he went on swiftly.
The door to Ningi's hut was closed. Mungo, had honed the edge of the assegai to a razor edge, and with it he sawed through the fastenings of bark rope that secured the opening. The rasp and rustle of the blade sounded thunderous in his ears, and his skin prickled as he waited for a shouted challenge from within. It did not come, but he found that he was sweating as he stepped back and brought out the bladders of goats" blood from under the cloak.
He slit the bladders and splashed the stinking, congealing blood over the portals of the doorway. He had learned from the twins, who were authorities on the supernatural, that a Tokoloshe always spurted blood on any doorway through which it passed. It was one of the creature's more endearing characteristics.
Now with the assegai gripped in his right hand, Mungo stooped into the hut and, crouched in the doorway, he waited for his eyes to adjust to the gloom.
The fire in the centre of the large hut had burned low.
There was just enough light to make out two figures curled like dogs on the sleeping-mats on each side of it and beyond it the ponderous bulk of the princess under her furs.
Her snores started as a low grumbling like a volcano, and rose to a whistling crescendo that covered any sound Mungo might make as he slipped across to the first of the sleeping hand-maids.
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