Выбрать книгу по жанру
Фантастика и фэнтези
- Боевая фантастика
- Героическая фантастика
- Городское фэнтези
- Готический роман
- Детективная фантастика
- Ироническая фантастика
- Ироническое фэнтези
- Историческое фэнтези
- Киберпанк
- Космическая фантастика
- Космоопера
- ЛитРПГ
- Мистика
- Научная фантастика
- Ненаучная фантастика
- Попаданцы
- Постапокалипсис
- Сказочная фантастика
- Социально-философская фантастика
- Стимпанк
- Технофэнтези
- Ужасы и мистика
- Фантастика: прочее
- Фэнтези
- Эпическая фантастика
- Юмористическая фантастика
- Юмористическое фэнтези
- Альтернативная история
Детективы и триллеры
- Боевики
- Дамский детективный роман
- Иронические детективы
- Исторические детективы
- Классические детективы
- Криминальные детективы
- Крутой детектив
- Маньяки
- Медицинский триллер
- Политические детективы
- Полицейские детективы
- Прочие Детективы
- Триллеры
- Шпионские детективы
Проза
- Афоризмы
- Военная проза
- Историческая проза
- Классическая проза
- Контркультура
- Магический реализм
- Новелла
- Повесть
- Проза прочее
- Рассказ
- Роман
- Русская классическая проза
- Семейный роман/Семейная сага
- Сентиментальная проза
- Советская классическая проза
- Современная проза
- Эпистолярная проза
- Эссе, очерк, этюд, набросок
- Феерия
Любовные романы
- Исторические любовные романы
- Короткие любовные романы
- Любовно-фантастические романы
- Остросюжетные любовные романы
- Порно
- Прочие любовные романы
- Слеш
- Современные любовные романы
- Эротика
- Фемслеш
Приключения
- Вестерны
- Исторические приключения
- Морские приключения
- Приключения про индейцев
- Природа и животные
- Прочие приключения
- Путешествия и география
Детские
- Детская образовательная литература
- Детская проза
- Детская фантастика
- Детские остросюжетные
- Детские приключения
- Детские стихи
- Детский фольклор
- Книга-игра
- Прочая детская литература
- Сказки
Поэзия и драматургия
- Басни
- Верлибры
- Визуальная поэзия
- В стихах
- Драматургия
- Лирика
- Палиндромы
- Песенная поэзия
- Поэзия
- Экспериментальная поэзия
- Эпическая поэзия
Старинная литература
- Античная литература
- Древневосточная литература
- Древнерусская литература
- Европейская старинная литература
- Мифы. Легенды. Эпос
- Прочая старинная литература
Научно-образовательная
- Альтернативная медицина
- Астрономия и космос
- Биология
- Биофизика
- Биохимия
- Ботаника
- Ветеринария
- Военная история
- Геология и география
- Государство и право
- Детская психология
- Зоология
- Иностранные языки
- История
- Культурология
- Литературоведение
- Математика
- Медицина
- Обществознание
- Органическая химия
- Педагогика
- Политика
- Прочая научная литература
- Психология
- Психотерапия и консультирование
- Религиоведение
- Рефераты
- Секс и семейная психология
- Технические науки
- Учебники
- Физика
- Физическая химия
- Философия
- Химия
- Шпаргалки
- Экология
- Юриспруденция
- Языкознание
- Аналитическая химия
Компьютеры и интернет
- Базы данных
- Интернет
- Компьютерное «железо»
- ОС и сети
- Программирование
- Программное обеспечение
- Прочая компьютерная литература
Справочная литература
Документальная литература
- Биографии и мемуары
- Военная документалистика
- Искусство и Дизайн
- Критика
- Научпоп
- Прочая документальная литература
- Публицистика
Религия и духовность
- Астрология
- Индуизм
- Православие
- Протестантизм
- Прочая религиозная литература
- Религия
- Самосовершенствование
- Христианство
- Эзотерика
- Язычество
- Хиромантия
Юмор
Дом и семья
- Домашние животные
- Здоровье и красота
- Кулинария
- Прочее домоводство
- Развлечения
- Сад и огород
- Сделай сам
- Спорт
- Хобби и ремесла
- Эротика и секс
Деловая литература
- Банковское дело
- Внешнеэкономическая деятельность
- Деловая литература
- Делопроизводство
- Корпоративная культура
- Личные финансы
- Малый бизнес
- Маркетинг, PR, реклама
- О бизнесе популярно
- Поиск работы, карьера
- Торговля
- Управление, подбор персонала
- Ценные бумаги, инвестиции
- Экономика
Жанр не определен
Техника
Прочее
Драматургия
Фольклор
Военное дело
Raise the Titanic - Cussler Clive - Страница 30
Perhaps ten seconds ticked by in utter silence while Pitt sat there stunned. Then he said, "Do you know what you're proposing?"
"Absolutely."
"It can't be done!" Pitt's expression was incredulous, his voice still the same hoarse murmur. "Even if it were technically possible, and it isn't, it would take hundreds of millions of dollars . . . and then there's the unending legal entanglement with the original owners and the insurance companies over salvage rights."
"There are over two hundred engineers and scientists working on the technical problems at this moment," Seagram explained. "Financing will be arranged through secret government funding. And as far as legal rights go, forget it. Under international law, once a vessel is lost with no hope of recovery, it becomes fair game for anybody who wishes to spend the money and effort on a salvage operation." He turned and stared out the windshield again. "You can't know, Pitt, how important this undertaking is. The Titanic represents much more than treasure or historic value. There is something deep within its cargo holds that is vital to the security of our nation."
"You'll forgive me if I say that sounds a bit farfetched."
"Perhaps, but underneath the flag-waving, the facts hold true."
Pitt shook his head. "You're talking sheer fantasy. The Titanic lies in nearly two and a half miles of water. The pressure at those depths runs several thousand pounds to the square inch, Mr. Seagram; not square foot or square yard, but square inch. The difficulties and barriers are staggering. No one has ever seriously attempted to raise the Andrea Doria or the Lusitania from the bottom . . and they both lie only three hundred feet from the surface."
"If we can put men on the moon, we can bring the Titanic up to the sunlight again," Seagram argued.
"There's no comparison. It took a decade to set a four-ton capsule on lunar soil. Lifting forty-five thousand tons of steel is a different proposition. It may take months just to find her."
"The search is already under way."
"I heard nothing-"
"About a search effort?" Seagram finished. "Not likely that you should. Until the operation becomes unwieldy in terms of security, it will remain secret. Even your assistant special projects director, Albert Giordano-"
"Giordino."
"Yes, Giordino, thank you. He is at this very moment piloting a search probe across the Atlantic sea floor in total ignorance of his true mission."
"But the Lorelei Current Expedition . . . the Sappho I's original mission was to trace a deep ocean current."
"A timely coincidence. Admiral Sandecker was able to order the submersible into the area of the Titanic's last known position barely hours before the sub was scheduled to surface."
Pitt turned and stared at a jet airliner that was lifting from the airport's main runway. "Why me? What have I done to deserve an invitation to what has to be the biggest hare-brained scheme of the century?"
"You are not simply to be a guest, my dear Pitt. You are to command the overall salvage operation."
Pitt regarded Seagram grimly. "The question still stands. Why me?"
"Not a selection that excites me, I assure you," Seagram said. "However, since the National Underwater and Marine Agency is the nation's largest acknowledged authority on oceanographic science, and since the leading experts on deep-water salvage are members of their staff, and since you are the agency's Special Projects Director, you were elected."
"The fog begins to lift. It's a simple case of my being in the wrong occupation at the wrong time."
"Read it as you will," Seagram said wearily. "I must admit, I found your past record of bringing incredibly difficult projects to successful conclusions most impressive." He pulled out a handkerchief and dabbed his forehead. "Another factor that weighed heavily in your favor, I might add, is that you are considered somewhat of an expert on the Titanic. "
"Collecting and studying Titanic memorabilia is a hobby with me, nothing more. It hardly qualifies me to oversee her salvage."
"Nonetheless, Mr. Pitt, Admiral Sandecker tells me you are, to use his words, a genius at handling men and coordinating logistics." He gazed over at Pitt, his eyes uncertain. "Will you take the job?"
"You don't think I can pull it off, do you, Seagram?"
"Frankly, no. But when one dangles over the cliff by a thread, one has little say about who comes to the rescue."
A faint smile edged Pitt's lips. "Your faith in me is touching."
"Well?"
Pitt sat lost in thought for several moments. Finally, he gave an almost imperceptible nod and looked squarely into Seagram's eyes. "Okay, my friend, I'm your boy. But don't count you're chickens until that rusty old hulk is moored to a New York dock. There isn't a bet-maker in Las Vegas who'd waste a second computing odds on this crazy escapade. When we find the Titanic, if we find the Titanic, her hull nay be too far gone to raise. But then nothing is absolutely impossible, and though I can't begin to guess what it is that's so valuable to the government that warrants the effort, I'll try, Seagram. Beyond that, I promise nothing."
Pitt broke into a wide grin and climbed from the pilot's seat. "End of speech. Now then, let's get out of this hot box and find a nice cool air-conditioned cocktail lounge where you can buy me a drink. It's the least you can do after pulling off the con job of the year."
Seagram just sat there, too drained to do anything except shrug in helpless acquiescence.
26
At first John Vogel treated the cornet as simply another restoration job. There was no rarity suggested by its design. There was nothing exceptional about its construction that would excite a collector. At the moment it could excite nobody. The valves were corroded and frozen closed; the brass was discolored by an odd sort of accumulated grime; and a foul, fishlike odor emanated from the mud that clogged the interior of its tubes.
Vogel decided the cornet was beneath him; he would turn it over to one of his assistants for the restoration. The exotics, those were the instruments that Vogel loved to bring back to their original newness the ancient Chinese and Roman trumpets, with the long, straight tubes and the ear-piercing tones; the battered old horns of the early jazz greats; the instruments with a piece of history attached-these, Vogel would repair with the patience of a watchmaker, toiling with exacting craftsmanship until the piece gleamed like new and played brilliantly clear tones.
He wrapped the cornet in an old pillowcase and set it against the far wall of his office.
The Executone on his desk uttered a soft bong. "Yes, Mary, what is it?"
"Admiral James Sandecker of the National Underwater and Marine Agency is on the phone." His secretary's voice scratched over the intercom like fingernails over a blackboard. "He says it's urgent."
"Okay, put him on." Vogel lifted the telephone. "John Vogel here."
"Mr. Vogel, this is James Sandecker."
The fact that Sandecker had dialed his own call and didn't bluster behind his title impressed Vogel.
"Yes, Admiral, what can I do for you?"
"Have you received it yet?"
"Have I received what?"
- Предыдущая
- 30/89
- Следующая