Выбрать книгу по жанру
Фантастика и фэнтези
- Боевая фантастика
- Героическая фантастика
- Городское фэнтези
- Готический роман
- Детективная фантастика
- Ироническая фантастика
- Ироническое фэнтези
- Историческое фэнтези
- Киберпанк
- Космическая фантастика
- Космоопера
- ЛитРПГ
- Мистика
- Научная фантастика
- Ненаучная фантастика
- Попаданцы
- Постапокалипсис
- Сказочная фантастика
- Социально-философская фантастика
- Стимпанк
- Технофэнтези
- Ужасы и мистика
- Фантастика: прочее
- Фэнтези
- Эпическая фантастика
- Юмористическая фантастика
- Юмористическое фэнтези
- Альтернативная история
Детективы и триллеры
- Боевики
- Дамский детективный роман
- Иронические детективы
- Исторические детективы
- Классические детективы
- Криминальные детективы
- Крутой детектив
- Маньяки
- Медицинский триллер
- Политические детективы
- Полицейские детективы
- Прочие Детективы
- Триллеры
- Шпионские детективы
Проза
- Афоризмы
- Военная проза
- Историческая проза
- Классическая проза
- Контркультура
- Магический реализм
- Новелла
- Повесть
- Проза прочее
- Рассказ
- Роман
- Русская классическая проза
- Семейный роман/Семейная сага
- Сентиментальная проза
- Советская классическая проза
- Современная проза
- Эпистолярная проза
- Эссе, очерк, этюд, набросок
- Феерия
Любовные романы
- Исторические любовные романы
- Короткие любовные романы
- Любовно-фантастические романы
- Остросюжетные любовные романы
- Порно
- Прочие любовные романы
- Слеш
- Современные любовные романы
- Эротика
- Фемслеш
Приключения
- Вестерны
- Исторические приключения
- Морские приключения
- Приключения про индейцев
- Природа и животные
- Прочие приключения
- Путешествия и география
Детские
- Детская образовательная литература
- Детская проза
- Детская фантастика
- Детские остросюжетные
- Детские приключения
- Детские стихи
- Детский фольклор
- Книга-игра
- Прочая детская литература
- Сказки
Поэзия и драматургия
- Басни
- Верлибры
- Визуальная поэзия
- В стихах
- Драматургия
- Лирика
- Палиндромы
- Песенная поэзия
- Поэзия
- Экспериментальная поэзия
- Эпическая поэзия
Старинная литература
- Античная литература
- Древневосточная литература
- Древнерусская литература
- Европейская старинная литература
- Мифы. Легенды. Эпос
- Прочая старинная литература
Научно-образовательная
- Альтернативная медицина
- Астрономия и космос
- Биология
- Биофизика
- Биохимия
- Ботаника
- Ветеринария
- Военная история
- Геология и география
- Государство и право
- Детская психология
- Зоология
- Иностранные языки
- История
- Культурология
- Литературоведение
- Математика
- Медицина
- Обществознание
- Органическая химия
- Педагогика
- Политика
- Прочая научная литература
- Психология
- Психотерапия и консультирование
- Религиоведение
- Рефераты
- Секс и семейная психология
- Технические науки
- Учебники
- Физика
- Физическая химия
- Философия
- Химия
- Шпаргалки
- Экология
- Юриспруденция
- Языкознание
- Аналитическая химия
Компьютеры и интернет
- Базы данных
- Интернет
- Компьютерное «железо»
- ОС и сети
- Программирование
- Программное обеспечение
- Прочая компьютерная литература
Справочная литература
Документальная литература
- Биографии и мемуары
- Военная документалистика
- Искусство и Дизайн
- Критика
- Научпоп
- Прочая документальная литература
- Публицистика
Религия и духовность
- Астрология
- Индуизм
- Православие
- Протестантизм
- Прочая религиозная литература
- Религия
- Самосовершенствование
- Христианство
- Эзотерика
- Язычество
- Хиромантия
Юмор
Дом и семья
- Домашние животные
- Здоровье и красота
- Кулинария
- Прочее домоводство
- Развлечения
- Сад и огород
- Сделай сам
- Спорт
- Хобби и ремесла
- Эротика и секс
Деловая литература
- Банковское дело
- Внешнеэкономическая деятельность
- Деловая литература
- Делопроизводство
- Корпоративная культура
- Личные финансы
- Малый бизнес
- Маркетинг, PR, реклама
- О бизнесе популярно
- Поиск работы, карьера
- Торговля
- Управление, подбор персонала
- Ценные бумаги, инвестиции
- Экономика
Жанр не определен
Техника
Прочее
Драматургия
Фольклор
Военное дело
The Austere Academy - Snicket Lemony - Страница 13
The last few rays of the sunset made the children cast long, long shadows as they walked, as if the Baudelaires had been stretched across the brown grass by some horrible mechanical device. The children looked down at their shadows, which looked as flimsy as sheets of paper, and wished with every step that they could do something else-anything else-other than meet Coach Genghis alone on the front lawn. They wished they could just keep walking, under the arch, past the front lawn, and out into the world, but where could they go? The three orphans were all alone in the world. Their parents were dead. Their banker was too busy to take good care of them. And their only friends were two more orphans, who the Baudelaires sincerely hoped had snuck out of the recital by now and were spying on them as they approached the solitary figure of Coach Genghis, waiting for them impatiently on the edge of the lawn. The waning light of the sunset-the word "waning" here means "dim, and making everything look extra-creepy"-made the shadow of the coach's turban look like a huge, deep hole.
"You're late," Genghis said in his scratchy voice. As the siblings reached him, they could see that he had both hands behind his back as if he were hiding something. "Your instructions were to be here right after dinner, and you're late."
"We're very sorry," Violet said, craning her neck to try and catch a glimpse of what was behind his back. "It took us a little longer to eat our dinner without silverware."
"If you were smart," Genghis said, "you would have borrowed the silverware of one of your friends."
"We never thought of that," Klaus said. When one is forced to tell atrocious lies, one often feels a guilty flutter in one's stomach, and Klaus felt such a flutter now. "You certainly are an intelligent man," he continued.
"Not only am I intelligent," Genghis agreed, "but I'm also very smart. Now, let's get right to work. Even stupid children like yourselves should remember what I said about orphans having excellent bone structure for running.
That's why you are about to do Special Orphan Running Exercises, or S.O.R.E. for short."
"Ooladu!" Sunny shrieked.
"My sister means that sounds exciting," Violet said, although "Ooladu!" actually meant "I wish you'd tell us what you're really up to, Genghis."
"I'm glad you're so enthusiastic," Genghis said. "In certain cases, enthusiasm can make up for a lack of brainpower." He took his hands from behind his back, and the children saw that he was holding a large metal can and a long, prickly brush. The can was open, and an eerie white glow was shining out of the top. "Now, before we begin S.O.R.E., we'll need a track. This is luminous paint, which means it glows in the dark."
"How interesting," Klaus said, although he'd known what the word "luminous" means for two and a half years.
"Well, if you find it so interesting," Genghis said, his eyes looking as luminous as the paint, "you can be in charge of the brush. Here."
He thrust the long, prickly brush into Klaus's hands. "And you little girls can hold the paint can. I want you to paint a big circle on the grass so you can see where you are running when you start your laps. Go on, what are you waiting for?"
The Baudelaires looked at one another. What they were waiting for, of course, was Genghis revealing what he was really up to with the paint, the brush, and the ridiculous Special Orphan Running Exercises. But in the meantime, they figured they'd better do as Genghis said. Painting a big, luminous circle on the lawn didn't seem to be particularly dangerous, so Violet picked up the paint can, and Klaus dipped the brush into the paint and began making a big circle. For the moment, Sunny was something of a fifth wheel, a phrase which means "not in a position to do anything particularly helpful," but she crawled alongside her siblings, offering moral support.
"Bigger!" Genghis called out in the dark. "Wider!" The Baudelaires followed his instructions and made the circle bigger and wider, walking farther away from Genghis and leaving a glowing trail of paint. They looked out into the gloom of the evening, wondering where the Quagmire triplets were hiding, or if indeed they had managed to sneak out of the recital at all. But the sun was down now, and the only thing the orphans could see was the bright circle of light they were painting on the lawn and the dim figure of Genghis, his white turban looking like a floating skull in the night. "Bigger! Wider! All right, all right, that's big and wide enough! Finish the circle where I am standing! Hurry up!"
"What do you think we're really doing?" Violet whispered to her brother.
"I don't know," Klaus said. "I've only read three or four books on paint. I know that paint can sometimes be poisonous or cause birth defects. But Genghis isn't making us eat the circle, and you're not pregnant, of course, so I can't imagine."
Sunny wanted to add "Gargaba!" which meant "Maybe the luminous paint is serving as some sort of glowing signal," but the Baude-laires had come full circle and were too close to Genghis to do any more talking.
"I suppose that will do, orphans," Genghis said, snatching the brush and the can of paint out of their hands. "Now, take your marks, and when I blow my whistle, begin running around the circle you've made until I tell you to stop."
"What?" Violet said. As I'm sure you know, there are two types of "What?" in the world. The first type simply means "Excuse me, I didn't hear you. Could you please repeat yourself?" The second type is a little trickier. It means something more along the lines of "Excuse me, I did hear you, but I can't believe that's really what you meant," and this second type is obviously the type Violet was using at this moment. She was standing right next to Genghis, so she'd obviously heard what had come out of the smelly mouth of this miserable man. But she couldn't believe that Genghis was simply going to make them run laps. He was such a sneaky and revolting person that the eldest Baudelaire simply could not accept that his scheme was only as evil as the average gym class.
"What?" Genghis repeated in a mocking way. He had obviously taken a page out of Nero's book, a phrase which here means "learned how to repeat things in a mocking way, in order to make fun of children." "I know you heard me, little orphan girl. You're standing right next to me. Now take your marks, all of you, and begin running as soon as I blow my whistle."
"But Sunny is a baby," Klaus protested. "She can't really run, at least not professionally."
"Then she may crawl as fast as she can," Genghis replied. "Now-on your marks, get set, go!"
Genghis blew his whistle and the Baudelaire orphans began to run, pacing themselves so they could run together even though they had different-sized legs. They finished one lap, and then another, and then another and another and then five more and then another and then seven more and then another and then three more and then two more and then another and then another and then six more and then they lost track. Coach Genghis kept blowing his whistle and occasionally shouted tedious and unhelpful things like "Keep running!" or "Another lap!" The children looked down at the luminous circle so they could stay in a circle, and the children looked over at Genghis as he grew fainter and then clearer as they finished a lap, and the children looked out into the darkness to see if they could catch a glimpse of the Quagmires.
The Baudelaires also looked at one another from time to time, but they didn't speak, not even when they were far enough away from Genghis that he could not overhear. One reason they did not speak was to conserve energy, because although the Baudelaires were in reasonably good shape, they had not run so many laps in their lives, and before too long they were breathing too hard to really discuss anything. But the other reason they did not speak was that Violet had already spoken for (hem when she had asked the second type of "What?" Coach Genghis kept blowing his whistle, and the children kept running around and around the track, and echoing in each of their minds was this second, trickier type of question. The three siblings had heard Coach Genghis, but they couldn't believe that S.O.R.E. was the extent of his evil plan. The Baudelaire orphans kept running around the glowing circle until the first rays of sunrise began to reflect on the jewel in Genghis's turban, and all they could think was What? What? What?
- Предыдущая
- 13/25
- Следующая