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Военное дело
Coraline - Gaiman Neil - Страница 16
It's listening for me, thought Coraline. I must be extra quiet. She took another step up and her foot slipped on the step, and the thing heard her.
Its head tipped towards her. For a moment it swayed and seemed to be gathering its wits. Then, fast as a serpent, it slithered for the steps, and began to flow up them, towards her. Coraline turned and ran wildly up the last half-dozen steps, and she pushed herself up and on to the floor of the dusty bedroom. Without pausing, she pulled the heavy trapdoor towards her, and let go of it. It crashed down with a thump just as something large banged against it. The trapdoor shook and rattled in the floor, but it stayed where it was.
Coraline took a deep breath. If there had been any furniture in that flat, even a chair, she would have pulled it on to the trapdoor, but there was nothing.
She walked out of that flat as fast as she could, without actually ever running, and she locked the front door behind her. She left the door-key under the mat. Then she walked down on to the drive.
Coraline had half-expected that the other mother would be standing there waiting for her to come out, but the world was silent and empty.
Coraline wanted to go home.
She hugged herself, and told herself that she was brave, and she almost believed herself, and then she walked around to the side of the house, in the grey mist that wasn't a mist, and she made for the stairs, to go up.
10
Coraline walked up the steps outside the building to the topmost flat where, in her world, the crazy old man upstairs lived. She had gone up there once with her real mother, when her mother was collecting for charity. They had stood in the open doorway, waiting for the crazy old man with the big moustache to find the envelope that Coraline's mother had left, and the flat had smelled of strange foods and pipe tobacco and odd, sharp, cheesy-smelling things which Coraline could not name. She had not wanted to go any further inside than that.
"I'm an explorer," said Coraline out loud, but her words sounded muffled and dead on the misty air. She had made it out of the cellar, hadn't she?
And she had. But if there was one thing that Coraline was certain of, it was that this flat would be worse.
She reached the top of the steps. The topmost flat had once been the attic of the house, but that was long ago.
She knocked on the green-painted door. It swung open, and she walked in.
whispered a dozen or more tiny voices, in that dark flat with the roof so low where it met the walls that Coraline could almost reach up and touch it.
Red eyes stared at her. Little pink feet scurried away as she came close. Darker shadows slipped through the shadows at the edges of things.
It smelt much worse in here than in the real crazy old man upstairs's flat. That smelled of food (unpleasant food, to Coraline's mind, but she knew that was a matter of taste: she did not like spices, herbs or exotic things). This place smelled as if all the exotic foods in the world had been left out to go rotten.
"Little girl," said a rustling voice in a far room.
"Yes," said Coraline. I'm not frightened, she told herself, and as she thought it she knew that it was true.
There was nothing here that frightened her. These things-even the thing in the cellar-were illusions, things made by the other mother in a ghastly parody of the real people and real things on the other end of the corridor. She couldn't truly make anything, decided Coraline. She could only twist and copy and distort things that already existed.
And then Coraline found herself wondering why the other mother would have placed a snowglobe on the drawing-room mantelpiece; a place that, in her world, was quite bare.
And once she had asked herself the question, she began to understand the answer.
Then the voice came again, and her train of thought was gone.
"Come here, little girl. I know what you want, little girl." It was a rustling voice, scratchy and dry. It made Coraline think of some kind of enormous dead insect. Which was silly, she knew. How could a dead thing, especially a dead insect, have a voice?
She walked through several rooms with low, slanting ceilings until she came to the final room. It was a bedroom, and the other crazy old man upstairs sat at the far end of the room, in the near-darkness, bundled up in his coat and hat. As Coraline entered he began to talk. "Nothing's changed, little girl," he said, his voice sounding like the noise dry leaves make as they rustle across a pavement. "And what if you do everything you swore you would? What then? Nothing's changed. You'll go home. You'll be bored. You'll be ignored. No one will listen to you, not really listen to you. You're too clever and too quiet for them to understand. They don't even get your name right.
"Stay here with us," said the voice from the figure at the end of the room. "We will listen to you and play with you and laugh with you. Your other mother will build whole worlds for you to explore, and tear them down every night when you are done. Every day will be better and brighter than the one that went before. Remember the toybox? How much better would a world be built just like that, and all for you?"
"And will there be grey, wet days where I just don't know what to do and there's nothing to read or to watch and nowhere to go and the day drags on forever?" asked Coraline.
From the shadows, the man said, "Never."
"And will there be awful meals, with food made from recipes, with garlic and tarragon and broad beans in?" asked Coraline.
"Every meal will be a thing of joy," whispered the voice from under the old man's hat. "Nothing will pass your lips that does not entirely delight you."
"And could I have Day-glo green gloves to wear, and yellow Wellington boots in the shape of frogs?" asked Coraline.
"Frogs, ducks, rhinos, octopuses-whatever you desire. The world will be built new for you every morning. If you stay here, you can have whatever you want."
Coraline sighed. "You really don't understand, do you?" she said. "I don't want whatever I want. Nobody does. Not really. What kind of fun would it be if I just got everything I ever wanted? Just like that, and it didn't mean anything. What then?"
"I don't understand," said the whispery voice.
"Of course you don't understand," she said, raising the stone with the hole in it to her eye. "You're just a bad copy she made of the crazy old man upstairs."
There was a glow coming from the raincoat of the man, at about chest height. Through the hole in the stone the glow twinkled and shone blue-white as any star. She wished she had a stick or something to poke him with; she had no wish to get any closer to the shadowy man at the end of the room.
"Not even that any more," said the dead, whispery voice.
Coraline took a step closer to the man, and he fell apart. Black rats leapt from the sleeves and from under the coat and hat, a score or more of them, red eyes shining in the dark. They chittered and they fled. The coat fluttered and fell heavily to the floor. The hat rolled into one corner of the room.
Coraline reached out her hand and pulled the coat open. It was empty, although it was greasy to the touch. There was no sign of the final glass marble in it. She scanned the room, squinting through the hole in the stone, and caught sight of something that twinkled and burned like a star, at floor level, by the doorway. It was being carried in the forepaws of the largest black rat. As she looked, it slipped away.
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