The Scarlet Pimpernel - Orczy Baroness - Страница 19

"Bless the woman!" ejaculated Lady Portarles, "did ever anyone see such perversity? My Lord Grenville, you have the gift of gab, will you please explain to Madame la Comtesse that she is acting like a fool. In your position here in England, Madame," she added, turning a wrathful and resolute face towards the Comtesse, "you cannot afford to put on the hoity-toity airs you French aristocrats are so fond of. Lady Blakeney may or may not be in sympathy with those Ruffians in France; she may or may not have had anything to do with the arrest and condemnation of St. Cyr, or whatever the man's name is, but she is the leader of fashion in this country; Sir Percy Blakeney has more money than any half-dozen other men put together, he is hand and glove with royalty, and your trying to snub Lady Blakeney will not harm her, but will make you look a fool. Isn't that so, my Lord?"

But what Lord Grenville thought of this matter, or to what reflections this comely tirade of Lady Portarles led the Comtesse de Tournay, remained unspoken, for the curtain had just risen on the third act of ORPHEUS, and admonishments to silence came from every part of the house.

Lord Grenville took a hasty farewell of the ladies and slipped back into his box, where M. Chauvelin had sat through this ENTR'ACTE, with his eternal snuff-box in his hand, and with his keen pale eyes intently fixed upon a box opposite him, where, with much frou-frou of silken skirts, much laughter and general stir of curiosity amongst the audience, Marguerite Blakeney had just entered, accompanied by her husband, and looking divinely pretty beneath the wealth of her golden, reddish curls, slightly besprinkled with powder, and tied back at the nape of her graceful neck with a gigantic black bow. Always dressed in the very latest vagary of fashion, Marguerite alone among the ladies that night had discarded the crossover fichu and broad-lapelled over-dress, which had been in fashion for the last two or three years. She wore the short-waisted classical-shaped gown, which so soon was to become the approved mode in every country in Europe. It suited her graceful, regal figure to perfection, composed as it was of shimmering stuff which seemed a mass of rich gold embroidery.

As she entered, she leant for a moment out of the box, taking stock of all those present whom she knew. Many bowed to her as she did so, and from the royal box there came also a quick and gracious salute.

Chauvelin watched her intently all through the commencement of the third act, as she sat enthralled with the music, her exquisite little hand toying with a small jewelled fan, her regal head, her throat, arms and neck covered with magnificent diamonds and rare gems, the gift of the adoring husband who sprawled leisurely by her side.

Marguerite was passionately fond of music. ORPHEUS charmed her to-night. The very joy of living was writ plainly upon the sweet young face, it sparkled out of the merry blue eyes and lit up the smile that lurked around the lips. She was after all but five-and-twenty, in the hey day of youth, the darling of a brilliant throng, adored, FETED, petted, cherished. Two days ago the DAY DREAM had returned from Calais, bringing her news that her idolised brother had safely landed, that he thought of her, and would be prudent for her sake.

What wonder for the moment, and listening to Gluck's impassioned strains, that she forgot her disillusionments, forgot her vanished love-dreams, forgot even the lazy, good-humoured nonentity who had made up for his lack of spiritual attainments by lavishing worldly advantages upon her.

He had stayed beside her in the box just as long as convention demanded, making way for His Royal Highness, and for the host of admirers who in a continued procession came to pay homage to the queen of fashion. Sir Percy had strolled away, to talk to more congenial friends probably. Marguerite did not even wonder whither he had gone-she cared so little; she had had a little court round her, composed of the JEUNESSE DOREE of London, and had just dismissed them all, wishing to be alone with Gluck for a brief while.

A discreet knock at the door roused her from her enjoyment.

"Come in," she said with some impatience, without turning to look at the intruder.

Chauvelin, waiting for his opportunity, noted that she was alone, and now, without pausing for that impatient "Come in," he quietly slipped into the box, and the next moment was standing behind Marguerite's chair.

"A word with you, citoyenne," he said quietly.

Marguerite turned quickly, in alarm, which was not altogether feigned.

"Lud, man! you frightened me," she said with a forced little laugh, "your presence is entirely inopportune. I want to listen to Gluck, and have no mind for talking."

"But this is my only opportunity," he said, as quietly, and without waiting for permission, he drew a chair close behind her-so close that he could whisper in her ear, without disturbing the audience, and without being seen, in the dark background of the box. "This is my only opportunity," he repeated, as he vouchsafed him no reply, "Lady Blakeney is always so surrounded, so FETED by her court, that a mere old friend has but very little chance."

"Faith, man!" she said impatiently, "you must seek for another opportunity then. I am going to Lord Grenville's ball to-night after the opera. So are you, probably. I'll give you five minutes then…"

"Three minutes in the privacy of this box are quite sufficient for me," he rejoined placidly, "and I think that you will be wise to listen to me, Citoyenne St. Just."

Marguerite instinctively shivered. Chauvelin had not raised his voice above a whisper; he was now quietly taking a pinch of snuff, yet there was something in his attitude, something in those pale, foxy eyes, which seemed to freeze the blood in her veins, as would the sight of some deadly hitherto unguessed peril. "Is that a threat, citoyen?" she asked at last.

"Nay, fair lady," he said gallantly, "only an arrow shot into the air."

He paused a moment, like a cat which sees a mouse running heedlessly by, ready to spring, yet waiting with that feline sense of enjoyment of mischief about to be done. Then he said quietly-

"Your brother, St. Just, is in peril."

Not a muscle moved in the beautiful face before him. He could only see it in profile, for Marguerite seemed to be watching the stage intently, but Chauvelin was a keen observer; he noticed the sudden rigidity of the eyes, the hardening of the mouth, the sharp, almost paralysed tension of the beautiful, graceful figure.

"Lud, then," she said with affected merriment, "since 'tis one of your imaginary plots, you'd best go back to your own seat and leave me enjoy the music."

And with her hand she began to beat time nervously against the cushion of the box. Selina Storace was singing the "Che faro" to an audience that hung spellbound upon the prima donna's lips. Chauvelin did not move from his seat; he quietly watched that tiny nervous hand, the only indication that his shaft had indeed struck home.

"Well?" she said suddenly and irrelevantly, and with the same feigned unconcern.

"Well, citoyenne?" he rejoined placidly.

"About my brother?"

"I have news of him for you which, I think, will interest you, but first let me explain… May I?"

The question was unnecessary. He felt, though Marguerite still held her head steadily averted from him, that her every nerve was strained to hear what he had to say.

"The other day, citoyenne," he said, "I asked for your help… France needed it, and I thought I could rely on you, but you gave me your answer… Since then the exigencies of my own affairs and your own social duties have kept up apart… although many things have happened…"

"To the point, I pray you, citoyen," she said lightly; "the music is entrancing, and the audience will get impatient of your talk."